Meant for high-end work, these cards have only serial digital interface (SDI) video inputs and AES audio connections. The Kona SD and D1 64AV are standard capture cards with built-in video and audio inputs. Of the four capture cards we tested, there are two types: standard cards and breakout box (BOB) cards. The cards performed as promised, so their individual features are what set them apart. Our test systems were an 867MHz Power Mac G4 and a dual-1GHz Power Mac G4, each with 1GB of RAM, an Ultra-160 SCSI RAID, an ATA-133 hardware RAID (for comparison), and a digital beta video source. But be aware that you’ll need peripheral equipment to support them: an Ultra-SCSI RAID is a must for the data rate these cards produce, and to control your videotape deck, you’ll also need an RS-422 serial port. Choosing the right card can be daunting, though, since there is more to consider than just image quality.įinal Cut Pro supports four capture cards: AJA Video Systems’ Kona SD, Aurora Video Systems’ IgniterRT, Digital Voodoo’s D1 64AV, and Pinnacle Systems’ CineWave Classic. PCI video-capture cards allow editors to capture and edit uncompressed and even high-definition video and graphics. ![]() ![]() ![]() Final Cut Pro works admirably as a software-based, nonlinear editor, but adding hardware to the mix can expand its capabilities.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |